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INTERPRETATIONS
Strasbourg 2016 - 2021
// TRIBUTE TO > MILO MANARA //
DECLIC 01 38
DECLIC 01 38
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC 02 45
DECLIC 02 45
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC 02 68
DECLIC 02 68
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC 03 21
DECLIC 03 21
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC 03 67
DECLIC 03 67
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC 03 74
DECLIC 03 74
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC 04 23
DECLIC 04 23
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
DECLIC – Tribute to Milo MANARA
The Milo Manara DECLIC has been read by millions of readers. This erotic worship, iconic and fantasmatic work, has participated in the affirmation of pleasure, the development of libido for very many readers and especially to the liberation of the expression of erotic desire and sexuality for its female readers.
The Declic is a man who presses a button, then a wind of excitement rushes under the dress of the lady who suddenly feels like … and who is then found in situations of debauchery more than annoying.
Milo Manara indicates : «What interests me is the transgression, the exhibition in the public space. Besides, I can say that in all my career I have never represented a couple kissing in a bed»; and affirms : «The best compliment that can have been done, it is when people say understand the story with the drawings without resorting to the text».
// TRIBUTE TO > EDWARD HOPPER //
PEOPLE IN THE SUN > 1960
PEOPLE IN THE SUN
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
MORNING IN A CITY > 1944
MORNING IN A CITY
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
SEA WATCHERS > 1952
SEA WATCHERS
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PEOPLE IN THE SUN – 1960 – Tribute to Edward HOPPER
People languish peacefully on carefully aligned seats, offering their faces to the rays of the sun.
Peaceful, these people take advantage of the serenity of the moment.
MORNING IN A CITY – 1944 – Tribute to Edward HOPPER
This woman, naked, at a window, looks in a space which is hidden from us located outside the room. Is she looking into nothingness? Is she preoccupied with herself, oblivious to everything that is going on around her?
This scene contains a secret eroticism. Seemingly awake by the sun, she gazes out the window thoughtfully as if wondering if this could be the first day of a new life. This erotic suspense encourages the viewer to enter the story of the unknown
SEA WATCHERS – 1952 – Tribute to Edward HOPPER
Represents a scene taking place on a bench on the seafront. A couple looks at the sea, seated on the terrace of a house. This couple observes the sea which is to the right and which can be seen from afar. On the same side we can guess rocks and a set of stakes that do not touch. On the left, we also find stakes, but connected by a chain.
// TRIBUTE TO > WILLY RONIS //
NU PROVENCAL - GORDES - 1949
NU PROVENCAL
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
NU PROVENCAL – GORDES – 1949 – Tribute to Willy RONIS
“With my wife, we bought a ruin in Gordes and we decided to spend our holidays there. The comfort was rustic, there was no electricity and we had to fetch water from a fountain. One morning, when I was going to have breakfast, I saw my wife cleaning herself. I told him, don’t move, and I hurried to get my Rolleiflex which was on the sideboard. I climbed two steps of the staircase leading to the attic. I took four photos. Not one more. It took me barely a minute. The Rapho agency broadcast it and it immediately became famous.” Willy Ronis
// TRIBUTE TO > ECOLE DE FONTAINEBLEAU //
LES SOEURS D'ESTREES ABSTRACT
LES SOEURS D'ESTREES
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
LES SOEURS D’ÉSTRÉES – 1594 – Tribute to ÉCOLE DE FONTAINEBLEAU
Does this artwork hide a crime almost perfect ?
The subject amazes with his audacity: two young naked women, only the busts appear and a strange gesture … One of the young lady clips the nipple of his neighbor. What might be the message.
Out of his historical context or one of the two sisters, Gabrielle d’Estrées is the mistress of Henry IV, this painting may be a concealed scene of LGBT love?
// TRIBUTE TO > Pablo PICASSO //
MES DEMOISELLES D'ICI ABSTRACT
MES DEMOISELLES D'ICI
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
LE PEINTRE ET SON MODELE
LE PEINTRE ET SON MODELE
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
LE PEINTRE ET SON MODELE LINED
LE PEINTRE ET SON MODELE
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
MES DEMOISELLES D’ICI – 1907 – Tribute to Pablo PICASSO
Pablo Picasso owes his success to his talent, but especially his ability to invent new forms of representations and renew his work.
Les Demoiselles d´Avignon is a fine example of avant-garde, a subject inspired by a brothel and adopting an unusual style.
This painting, unconventional and radical work, marks a crucial turning point in the history of art and signs the birth certificate of Cubism.
Provocative and ambitious artwork, in which the viewer, whose attention is focused on women and their nakedness, is found voyeur.
LE PEINTRE ET SON MODELE – 1963 – Tribute to Pablo PICASSO
Since a drawing dated 1963, Pablo PICASSO has produced an important series of works devoted to the theme of the painter and his model.
For this he was inspired by the history of art and especially REMBRANDT. For PICASSO, it is gradually a question of assimilating his self-portrait to that of the admired painter, but also of pushing the comparison to show how intense the painter’s romantic relationship is with his model Jacqueline ROQUE, his last companion who will become his wife.
// TRIBUTE TO > Gustave COURBET //
NOUS SOMMES TOUS PASSES PAR LA ABSTRACT
NOUS SOMMES TOUS PASSES PAR LA
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
L’ORIGINE DU MONDE – 1866 – Tribute to Gustave COURBET
At its time; this painting scandals the public by its audacity.
This artwork is allowed to reveal a feminine sex with franchise and without artifice: a woman’s body, thighs apart on an exposed pubis, and a breast that exceeds a sheet.
This artwork has always been accompanied by stories and legends. It is a painting that has often been spoken without seeing it, but always fantasized.
// TRIBUTE TO > Piet MONDRIAN //
PIET FEMALE ABSTRACTION 01
PIET FEMALE ABSTRACTION 01
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PIET FEMALE ABSTRACTION 02
PIET FEMALE ABSTRACTION 02
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PIET FEMALE ABSTRACTION 03
PIET FEMALE ABSTRACTION 03
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PIET FEMALE ABSTRACTION 04
PIET FEMALE ABSTRACTION 04
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PIET FEMALE ABSTRACTION 05
PIET FEMALE ABSTRACTION 05
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PIET FEMALE ABSTRACTION 06
PIET FEMALE ABSTRACTION 06
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
PIET FEMALE ABSTRACTION 07
PIET FEMALE ABSTRACTION 07
- Fine art print
- Enhanced with acrylic
- Coated with vinyl primer
FEMALE ABSTRACTIONS – 1920 and more – Tribute to Piet MONDRIAN
Piet Mondain said, « I build lines and combinations of colors on flat surfaces to express, with the greatest consciousness, the general beauty. »
I wanted to bring a sensuality note to this pure abstraction, incorporating the soft shapes of a female body represented in various postures. Female body also represented from simple geometric shapes: square, round, triangles and straight lines.
- Genesis
- Description
- Buy
Reinterpreted works of diverse artists, known or underestimated painters, who marked Semaj. As much for the course of life of the artist as for the expressed subject and its implication in his period.
- 7.87 x 7.87 inches - Print on art paper 300 grams - Numbered edition limited to 8 copies
- 11.81 x 11.81 inches - Print on art paper 300 grams - Numbered edition limited to 8 copies
- 15.75 x 15.75 inches - Print on art paper 300 grams - Numbered edition limited to 8 copies
- 39.37 x 39.37 inches - Print on 0.12 inches thick aluminium - Numbered edition limited to 6 copies
Each print is coated with a vinyl primer applied with a painting knife.
Each print is accompanied by a certificate of authenticity signed by Semaj.
The files of the artworks for printing are also available for sale. These files in .TIFF and .PDF format, allow you to print the works at your convenience up to a dimension of 55,12 x 55,12 inches.
The art editions are available for sale within the limit of the available prints, on SEMAJ shop, or during exhibitions.
The file for personal printing is also available for sale on SEMAJ shop.
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